REMEMBERING 2018

Yes, I’m a little bit behind but that’s the way life is these days.  For several years I’ve posted a gallery at year’s end to showcase what I thought was my best or most interesting work of the year.  That was usually done by the first quarter, certainly by spring …. yeah, Labor Day’s a little late but, they can still be looked at.

An annual feature is then to dig through them and pick out a few as the best of the best.  Here’s the first.

I was setting up to photograph a sunset on Sanibel Island when this caught my eye, an OMG spontaneous capture.  The actual sunset was well off to the right, far enough to provide a key light on the cloud which, in turn, reflected it to the water’s surface.  This image first appeared on page 38 of my eBook, Shooting For Better Images, (see BetterPix.net).  I wished in the book that the Pelican could have been positioned over the reflection;  well, just letting a few months go by resulted in the Pelican doing just that. 

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Sanibel Island has always been a good source of pixels.  Here’s the bird that welcomed us on our first morning walk on the beach.

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Also from Sanibel’s Ding Darling Wild Life Refuge is this morning gathering.  There are several varieties scrunching together as the tide takes their sand bar away.   The two on the left, probably also white pelicans, have obviously committed some social error.

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This one came home from the Philadelphia Flower Show.  My camera’s eye was caught by the jumble of glass pieces, the reflections from the many overhead lights, and the spots of color.  Creative arranging.

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Here’s one to ponder in the heat of summer slipping away.  This was made in early March at the East Point Lighthouse where the Maurice River edges into Delaware Bay.  Yes, such days lie ahead for us.

This, too, is seen in my eBook as an example of back lighting and specular reflections.  I hope his day worked out for him.

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This image was made as we forged our way down the Columbia River, headed west to Portland and the great Pacific Ocean.  A windblown morning.

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There was winter last year.  This image was one of my Ice In The Pines studies in which I enjoyed the early morning sun attacking the ice crystals.

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A summer highlight was the Night In Venice boat parade at Ocean City, NJ.  Here we enjoyed a wave from Miss Night In Venice as she passed by.

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The squalls of summer don’t make for great beach days but they often add drama.

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Christmas ended the year, brightened by this craft work from Wheaton Arts.

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These were all selected from my best of 2018.  The rest of them can be seen in a gallery by clicking here.  Thanks for taking a look at my work.

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THE HOLIDAYS APPROACH

As color and light fade in nature’s seasonal transition other sources come to the rescue.  Peddler’s Village at Lahaska, PA has done a great job at this.  I deliberately arrived late afternoon so I’d be there when the lights were turned on.  It was a pleasant afternoon with a crisp wind blowing, lots of holiday merchandise to see, and families enjoying the scene.  It was a festival for phone cameras but when some noticed my tripod and camera I was asked if I would take their family picture.  Of course. One young woman even asked if she could pay me to do it.  Wow, a new alternative to my paper route.  In between such excitements I captured some scenes.  Here’s one example:

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Another show for the season was the opening of the Electrical Spectacle show of lights in Philadelphia’s Franklin Square Park.  I have avoided their shows because the park is not convenient to mass transit.  This time, however, I forced myself:  the Patco High Speed line to 8th and Market and then only a ten minute walk to the park.  Here was my reward:

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Continuing with holiday color, a couple of years ago I first noticed some glass boxes filled with LEDs.  I decided I could do that as well and so made three boxes for family and a friend  last Christmas which can be seen here.  I ran out of steam on the project so one didn’t get made for me.  This past fall at a craft show I saw some lanterns in which the clear glass sides had been replaced with colored glass and then the lantern had been filled with lights.  I had such a lantern and I had seen some striking glass on the Facebook page for Macie Art Glass and  managed to buy the last two pieces they had.  Here’s the result.

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But nature’s work isn’t quite finished.  While having coffee in the sunroom one recent morning my eye was caught by sparkling in the nearby trees.  While I haven’t copied Morse code for years I made out that the signal was “Get your camera and get out here.”  The elves had hung diamonds in the trees.  Here’s one in which you can see the capture of the rising sun and the adjacent meadow and trees.  Thank you, nature.

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And speaking of my sunroom I did some redecorating there this fall.  On a house tour last summer I was in the new home of an artist friend, Andrea P.  In her studio I saw a clever way to display smaller matted prints.  They were resting on narrow shelves which included a slot for the bottom edge of the mat, and a lip to further prevent slippage.  I learned that they had found them at Ikea, a perfect destination for this Swede so Barbara and I headed there and found them.  Typically for Ikea they have a weird name, Mosslanda, but they’re perfect for the job.  To top it off we brought home some Swedish meatballs with lingonberry preserves.

I planned out the wall and then Sigrid, my decorator among other things, amended my vision.  Then, as my back was feeling its age Sigrid did the heavy work to get the installation started and I finished the easy parts.  Add to that the upper wall of Beach Haven and Sanibel prints and I am content until spring.

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Returning to nature’s compositions I recently walked out the front door and found the walkway blocked by a massive spider web.  It was anchored between a bush on the left, and the roof of the  garage about nine feet away.  The early sun was playing with the web strands and the morning dew.  Behind it, the fading color of some fall hydrangeas.  My compliments to the spider.

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For my closing color I chose this piece of blown and molded glass.  I photographed this at the October Festival of Fine Crafts at Wheaton Arts.  This is an annual “must-attend” show for me as it is consistently a show of up-scale, quality craft work.  I think it’s the best that I attend anymore.

I thought others might enjoy this piece, the kind of thing my late wife, Marty Lou, used to call “a pretty”.

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